Our Schlocky Schlong Music

Listening to Steve Perry’s new album on Spotify this morning made feel like the eunuch sentimentalist in Game of Thrones. But why am I so hurried desperate to relink with my age of innocence again?  Granted, anyone who remains a stay-at-home dad on purpose wants to remain a eunuch for the time being. At the same time, why do cocksure heterosexual men or gender fluid shemale comedians like me feel compelled to deride some sappy sad downer power ballad songs as eunuch sentimentalist music at all? I think it’s because as we get older and get a tad more jaded around the edges of a broken heart, we don’t buy into the irrefutable, absolute truisms behind certain famous sing along lyrics by Chicago such as, “How can I go on?” How can I go on? Find a fresher, tighter snatch to fall in love with for starters, who doesn’t deride the workshopped over, comedic genius behind iconic, FX shows such as Rescue Me as being merely sexist. Just because a bunch of hot chicks throw themselves at Dennis Leary’s fireman character, which isn’t a radical departure from reality considering the post 9/11 times it was made in. Understand, before 9/11, Firemen as a whole in New York were derided by the NYPD as mere cat tree snatchers, burnt out line cooks or Magic Mike wannabes. 9/11 changed all that. That’s why DeBlasio shooting down the Freedom Tower tribute ceremony this past year over alleged COVID concerns was ridiculously stupid. Because out of the blue, I don’t think 9/11 1st responders were sweating the prospect of catching an itchy esophagus. Now, regardless of the NYPD being defunded or not, they’ve lost the moral high ground over New York City Fireman, since every day now for the cops is standing down day. Cops in NY have so much free time on their hands now, they’re the ones taking how to make ravioli from scratch classes at the 92 St. Y. Cops who insist on taking a knee today proves how undercover cops who haven’t retired yet prematurely from the force are still down with wearing Nike sweats no matter what.

But momentous, hair standing on the back of your neck tingly songs like the Flame by Cheap Trick still sway my heart toward more promise filled tomorrows than any shitty, melodic free rap song by Nipsey Hussle ever could, which is a testament to the timeless appeal behind emotive, heartfelt, male articulated lyrics man. Versus most radio friendly rap songs both old and new, which deride woman interested in riding a rapper’s joystick out of its socket as mere money grubbing, stupid ass, over the hill hos. Sebastian Bach, original lead singer of Skid Row claims only teenage girls bought their debut record because of their monster rock ballad hit, I Remember you. So, you’re a twinkle toe bitch boy for pretending you bought the debut record Skid Row to hear Big Guns and Rattle Snake Shake again and again, otherwise. Reality is though, the soaring guitar solo in I Remember You, is exalted high end heartfelt rock at its finest.  That sounds even more kick ass melodic special over time, because it’s my eunuch sentimentalist music, that came out in my time, when I didn’t even hit puberty yet, let alone have a clue on how to exert my manhood if it finally bloomed under my Fruit of the Looms after feeling like the last kid to enter the puberty party in school.  But that’s ok, because I grew a sack eventually, and some hair on it to or else I never would’ve dared to make it through my never ending pain period as a cold calling IT agency headhunter at 22 in LA, a long, long, way from home nor would’ve I ever contemplated trying open mike standup at the Rainbow Lounge on Sunset, where Hair Metal sleaze incarnate Ratt once reigned supreme, getting endless perfect tens to let their bodies do their talking for them. I also wouldn’t have hit on my future wife and mother of my 3 pitch perfect sounding kids after hitting on 3 other girls prior with relentless, horn dog crazed, wheel and deal zeal without the power ballad soundtrack of my youth pulsating through my on with the show heart.

 

So why are underlying hopeful power ballads that prove men are capable of being deeper than the eighteenth hole considered soft core girly again? Men in long hair and makeup back in the seventies and eighties singing songs starting with Barry Manilow didn’t counterbalance that perception one bit. Meanwhile, Ronnie Van Zandt sang Free Bird, which was considered an original power ballad of its day and he’d make Neil Young his Canadian cunt in the can without breaking a sweat while yelling, “More shriekish wailing Young. I’m not buying you being whipped on a southern man being all free and up in your jail bird ass just yet.”

Power Ballads are considered soft girly because most men are too chicken shit to spill their innards out to a woman in person let alone on wax after a record company fronts them 200,000 thousand dollars to make it for millions to hear. Power Ballads will always woo because they burst with romantic longing for more hopeful filled tomorrows, which hold out the promise of soothing the tissue torn teen hearts in us all, especially among us gun shy dudes plagued by our frozen with fear pasts. But I don’t buy for minute the horseshit premise which insists that the era of Internet porn on demand, flush with tatted out white girls on Crystal meth has completely stripped our need for the comforting lift, that great power ballads provide us all.  Hair Metal Nation on Sirus Radio doesn’t exist without the power ballad hits, that never lost the pull they have on Gen X guys and gals because it’s Eunuch sentimentalist music that hit big in our hearts in our time, it belongs to us, and nobody can ever take that away from WE. Also, when we all fell in love with the soft, soothing sounds of 9pm clock radio music by REO Speedwagon, we weren’t fixated on the singer or image from the video but on our aching, incomplete hearts, longing for a willing recipient of our love bursts already. Big tits are great, but they don’t overcompensate for an ok face or an even worse bitch laden, one note heart that fluctuates from softcore bitch to full-fledged, scowly cunt in a NY Minute.

What makes power ballads so powerful? Featherly light finger tapping by CC on Every Rose Has Its Thorn is great, no doubt. For me though, what makes power ballads so powerful, is the rousing, never say die attitude for giving love another shot with all you got like the late great Jani Lane from Warrant sings with such soul stirring feeling on Sometimes She Cries. Holding out the hope of more pregnant filled tomorrows is what makes power ballads pack some extra exalted, it’s not over yet asshole, oomph for me. Is it time to move past 14 yet? Not even close, because like the serially underrated Britney Foxx screeched back in the day with ultra throaty, soul metal verve, “It’s a long way to love.” So don’t give up on your storybook romance life just yet. You dream the fuck on, until you make your new dreams to remember come true, or else love really does bite if you allow it to get into last lacerating lick and stop believing in your right to live a fulfilling life, flush with your own fair share of Heavy Metal highs to cherish forever.  Save the week like Britney Foxx did. Hound down your innermost love. And never allow anyone the power to damper your special spark shine inside, that gives you more than a feeling. Boston lives. Thank you very much.

Michael Kornbluth

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